Bedlam Farm Blog Journal by Jon Katz

4 December

Photomator Class: The Rules Of Enhancement

by Jon Katz

People often ask me if I ever enhance my photos.

The answer is yes; I enhance my pictures if they are too light or dark. I rarely need to do this, but I’m not going to ignore the wonderful new editing technologies that make pictures look better.

With the Leica or the Iphone,  I have no problems touching up a photo in my computer program, as long as I don’t deny it or alter its character.

I never use programs that fake the picture, alter it from its present form, or move people’s heads around.

I took a class today on how to use my new program, Photomator. I like it better than Lightroom or Apple Photo, which is faster and easier.

I want my photos to look as good as possible.

Still, I think it’s important to acknowledge that I use two computer editing programs, Lightroom and, as of today, Photomator, a new made-for-Apple program that is strikingly easy to use and effective for making minor touch-ups to photographs.

My Leica pictures (a mirrorless full-frame camera)  rarely require enhancement. My Iphone 150 Pro Max is a terrific camera, but I sometimes need to highlight the colors in strong or weak light. (A full-frame camera is an SLR or mirrorless camera with a full-frame sensor. They don’t crop a picture automatically.)

One Iphone in 20 needs me to enhance or clarify a shape or enhance a color.

I take a lot more shared photos than almost anyone but TikTok users, and I need to keep up with the amazing new photo editing software. I don’t want to get lazy or left behind. Landscape photography is tricky, and so is animal photography.

If I remember to bring the right camera lens, I think I have the portraits down.

The Leica now allows me to buy lenses (L-series)  from other lens companies, which has been a boon to me since I can’t afford Leica lenses as a rule.

I never use enhancement photos on my color photos like flowers; they are colorful enough, and my cameras are good enough to reflect solid and rich colors.

The other day, I acquired Photomator, the Apple app of the year, and today – I went over it carefully with Andrew Kohler of MacNurse in Vermont – my first lesson.

Andrew is going to give me several lessons. I’m cranking up for Spring 2024.

I like the program very much, and Andrew and I experimented with enhancement using the Photomator color brush and selection software.

I took this photo this afternoon in a darkening sky with a foreground that was having trouble picking up the light.

I liked the effect of this enhancement. I used a Leica photo because it is softer and enriches the colors already in the photo.

You can see this in the foreground, where the camera naturally softens the greens and the brownish colors of the marsh, the greens of the pasture in the distance, and the blue in the sky and the hills.

This photo looks like one of those photo paintings I always rant about; it’s softer and dreamier like a painting might be.

I see nothing wrong with using enhancement software, but I prefer to have cameras and know how to use them to the point where enhancement is unnecessary.

I’m very close to that situation.

Wednesday, I’m taking another enhancement class; it’s something I should know how to use when necessary.

With climate change, the sky is often dark and gray from the steady rains we are having. It rained all day today, so I chose this picture to experiment with enhancing. More to come.

One of my favorite kinds of photos is the soft ones,  I like how this turned out. Using the same image, I enhanced the photo to soften it and balance out the rich and different colors.

When I enhance photography in anything more than the most minor way, I’ll say so.

 

4 December

Becoming Who I Am. Shedding The False Life.

by Jon Katz

It still seems strange that Thomas Merton, a devout Catholic author and Trappist Monk, could have so strongly influenced my life. On the surface, we had nothing in common. It felt like Merton was giving me a language for my life, as if we were restless brothers.

When Henri Nouwen writes about the false life, he describes it as being “clothed” in the bandages of the false self, like the Invisible Man being wrapped, mummy-like, in long, winding strips of clothes.” That’s what it felt like.

This idea struck the most profound chord in me, as I felt I was suffocating inside of those coffins of lies. I wanted to discover my true self; I never wanted to be someone else.

I took all his books, retreated to a cabin on a mountaintop, and wrote about him. My year on the mountain made me think in solitude and silence about who I am.

The book I wrote about that year was called Running To The Mountain, and the stars were Thomas Merton and two Yellow Labs, Julius and Stanley. The book was not a best seller, and my publisher didn’t like it very much and didn’t support it.

The three of us were alone for half a year; it was almost a monastic life, and no better guide exists than Merton. I read his books and journals every day.

After the year of isolation,  I sold the cabin and bought a farm. My life changed, piece by piece, until I had left the familiar behind. I am beginning to recognize myself.

Merton’s book “No Man Is An Island” also made a deep impression on me, along with his other writing, and I still think of this passage, the one that changed my life the most:

Why do we have to spend our lives striving to be something we would never want to be if we only knew what we wanted? Why do we waste our time doing things opposite of what we were made for if we only stop to think about them?”

I had no answers, just questions. I knew I was leading a false life and needed to find the real one, for better or worse. That process is still underway and will almost certainly last for the rest of my life.

In his book “New Seeds Of Contemplation,” Merton wrote:

Thus, I use my life in the desire for pleasures and the thirst for experiences, power, honor, knowledge, and love, to clothe this false self and construct its nothingness into something objectively real. And I wind experiences around myself and cover myself with pleasures and glory, like bandages, to make myself perceptible to myself and the world as if I were an invisible body that could only become visible when something visible covered its surface.”

Like Merton, I feel that I was clothed in the false. I was a best-selling author with a dying heart.

I needed to discover who I was and become my true self, not the false one I was paid handsomely to be.

The life I had been living was not the one I ever imagined, sought, or examined. That person was nothing more than a mask that I wore. My curse was that I was so good at it.

And I saw that and knew it right away. Since then, for almost 20 years, I have been working to be the person I am, not the person I had somehow allowed myself to be. It is hard, fruitful, and exhilarating work. It is the most rewarding work I’ve ever done.

I’m not quite there yet and may never fully arrive at that truth. But I’m getting closer and getting better. My spiritual work has helped me see and face the reality.

When I consider myself now, I feel different. I think I am gradually moving towards becoming my authentic true self and away from the false one. I feel lighter, stronger, happier, and much more honest.

Before becoming my true self, I had to confront the false one that many of us spend a lifetime constructing, nourishing, and hiding from.

Merton got me started. Maria helped me along. So did my farm and the animals in my life. But only one can cast aside a false self and live in pride with the real one.

4 December

Bedlam Farm Journal, Monday Morning, Monday, Dec. 4, Rain, Dark Clouds, November Gloom

by Jon Katz

It’s a November Gloom day – rain, clouds, cold. This is my least favorite month.

The sheep gave up on grazing for fresh grass in the back pasture; there was no more grass to speak of. Disgruntled, they came up the hill when I entered the pasture to grump at me and wonder where the grass went. It’s haytime now, friends, I told them. Hay for months.

No sign of Zip, he often disappears in the morning.

This morning, Maria and I are going to the Mansion to help the residents make ugly sweaters for their “Ugly Christmas Sweater” party. Tomorrow, I get bloodwork done for my bi-annual visit with my primary care nurse, Amy Eldridge, who is leaving the practice to try different things. She will be missed. I’m seeing her and saying goodbye on Thursday.

She helped greatly to get me to a good place, healthwise.

I’m running low on my cannabis, which has helped me sleep at night. I will help Casey finish painting her refurbished horse trailer, which will soon be a classy breakfast food cart.

My daily morning landscape.

Donkeys hang back to scoop up every bit of the hay scattered on the ground.

Portrait, Maria, woman of a thousand faces.

4 December

New Smoke

by Jon Katz

A friend gave us this curious and enchanting Mexican cigarette holder six or seven years ago. It’s been sitting out next to the front door all this time, and we decided to bring it in. How can you not love a donkey who pulls out a cigarette when you pick up the tail on his butt.

This donkey has character and belongs on our dining room table, where he has found a permanent home—a strange figure but endearing. We are a donkey-friendly community.

3 December

Helping Hisham Awartani, Who Is Now Paralyzed From The Waist Down

by Jon Katz

I was heartsick to learn that Hisham Awartani, a 20-year-old student at Brown University, is now paralyzed from the waist down; his parents have launched a GoFundMe campaign to raise money for his rehabilitation and care, which will be enormous.

The man who shot him in Vermont last week and his two friends for no apparent reason is in jail awaiting a trial.

It is a bitter irony to me and to others that these students, who left the Middle East to be safe in school in America, were injured so brutally and pointlessly in America, a land awash in guns that kill tens of thousands of people, including many children.

I have nothing to say here about the awful war raging in the Middle East; I’m not interested in writing about the politics of that tragedy. I was deeply affected by what happened to these three young man, and I was grateful to support their new GoFundMe campaign.

I don’t believe in telling other people what to do, and I’m not appealing to anyone else to do anything. I’m just sharing what I am doing. People must make up their own minds about what is right and compassionate. I’m happy to be able to help this family and Hisham, even in a small way.

I suspect and hope the family is about to see the generous and empathetic heart of the real America.

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