Bedlam Farm Blog Journal by Jon Katz

14 January

So What is This Photo Flap All About?

by Jon Katz

Alice and I joke about the dates we have gone on – lunch outings, boat rides, bands playing in the Mansion Great Room. We always dance, I always approach my “girlfriend,” and she is alway up for it. She has been staying at the Danforth Adult Care Center and like the other Mansion refugees, is eager to get home.

Her children came over the weekend and took her out to get her hair done.

When she returned, she was eager to have her photo taken, she was very happy with how it turned out. I asked her if I could put her hairdo up on my blog, as I always do, and she said “sure,” that would be great.

In another dimension, this would hardly be news. For Alice, it was big news.

It is important for the residents to have attention paid to them, to still be able to get a nice hairdo and show it off, to feel good about the way they look and flattered that someone is paying attention. To pay attention to their looks.

This week, I find myself in the not unusual position of being in an unwanted controversy, although in the overall scheme of things, not an earth-shattering one. This story is not really about me, or should not be. I apologize if I’ve done that.

I ticked somebody off, somewhere along the line, and my camera got banned from the Danforth Care Center, where the residents are staying. I am uncomfortable finding myself in this position.

But I do need to set the record straight, the downside of the Internet is that misunderstandings and misinterpretations and impulses often take precedent over caution and reason.

First off, the Danforth management was not responsible for my photos getting banned. That was the state of New York. They were asked to post this new dictum and they did.

I can’t quite fathom what their reasoning was,  there is probably some regulation somewhere about it, since I have not been there before.

This does not affect my Mansion work, and since the residents are due to go “home” in a few  days, the Lord and state regulators willing, there is really no point in my whipping up a storm, although I am certainly prepared to fight if I should need to.

I know some people have concluded that the Danforth must be trying to hide something, but I don’t think that is true. The staff and operations have been quite open to me and other visitors.

Other people are making – because of my writing – assumptions about the Danforth that I ought to address.  The Danforth is not the Mansion. It is not in a beautiful old house, as the Mansion is. The owners do not have the same ideas about activities that the Mansion owners have.

It is the Mansion that is quite special, not the Danforth.

The people at the Danforth care about their residents, they do the best they can. They are not evil or harming their clients, they are quite typical of most adult care facilities I have been in – well run, well supervised, the aides attentive and present. People get the care they need.

I wish there were more activities there, but it’s not my prerogative to tell them what to do. And America does not spend much money helping the aged.

The residents at the Danforth seem content to me. No one there has complained to me. It is not for me to judge them and if I have been doing that, I apologize. That feels arrogant to me.

The Danforth residents would love to have a dog like Red visit them, and I think they would appreciate an Army Of Good to support them, but there is only one Red, and only one Army Of Good. And to be honest, there is only one me, and one Maria.

I am not interested in expanding, we all have enough going on in our lives.

I am not looking to start a crusade, but you can see from Alice’s face that she wants people to know she is alive.

She wants to be seen.

That is the focus for me, now and always, that is what we need to think about: the people in elderly care are human beings, just like you and me. They hate and love and hope, just like you and me. When we forget that, we abandon them to an unhappy end. I don’t intend to forget that, my camera gives them voice and humanity. They have been voiceless and invisible for too long, if I am on any mission, that’s the one.

Alice is, to me, the point of taking photographs of the elderly. She wants and needs to be connected to the outer world, she loves getting letters (The Mansion, 11 S. Union Avenue, Cambridge, N.Y., 12816, she loves to dance, she loves to get her hair done and eat special food. Sometimes, she needs special orthopedic shoes to help her walk.)

The truth is, I don’t know what the Danforth does with or for its residents, nor is it my business. I am not the Lord of Assisted Care, or the special police of assisted care. The state seems eager to do that. I am where I belong and will stay where I belong.

As always, I just wanted to be clear. And I am so grateful for your assistance with the Mansion residents during this difficult week. We have done well. I can always use some help if anybody wishes to contribute to the Mansion Fund.

We have our big Homecoming Celebration coming up next week.

You can contribute to the Mansion Fund via Paypal, [email protected], or through my Post Office Box, Jon Katz, P.O. Box 205, Cambridge, N.Y., 12816. Another reason I take photographs is so  you will always see where the money goes, and to whom. Thanks.

14 January

I Found My Monologue: “The Human Voices Wake Us…”

by Jon Katz
This is the monologue I chose to read at my acting class tonight. I wanted to share it with you.
It’s a famous dramatic monologue,  an ambitious thing for me to read.
Christine Decker asked me if I wished to look for my own monologue, and I have been looking all week for the right one.
The monologue is The Love Song Of J. Alfred Prufrock by T. S. Eliot.
I first read it when I was a teenager holed up my room with my fish, wondering why everyone in the world hated me. I still do that sometimes.
It’s an extraordinarily beautiful piece of writing, and here is the problem with it for me: I cry every time I read it, I can barely get through a few paragraphs without crying.
That was true when I first read it, it is true this afternoon when I read it aloud to Maria. I’m not used to crying in front of people, I’m not used to crying at all. Perhaps I will learn tonight how to channel this emotion and put it to work for me.
I suppose it’s obvious why it opens me up emotionally. It is such a beautifully written piece on life, and aging and wisdom and love regret. It is astonishingly sensitive. It looks at life so honestly and unsparingly, and yes, I sure wish I could write like that.
But it’s an acting class, and if I can’t open myself up emotionally and cry there, and where can I? Perhaps Christine and the class with teach me how to read it without weeping, how to put all that emotion into the reading. I suppose that would be really good acting. Wish me luck. I think it’s too long for me to read all of it, I’ll read the verses in boldface.
I read it aloud to Maria just before I wrote this, and yes, I cried.  Unlike me, Maria is comfortable with her emotion, crying is more natural for her. I envy that. There it is. I guess it is a good monologue to try, I hope to do justice to it.
Let us go then, you and I,
When the evening is spread out against the sky
Like a patient etherized upon a table;
Let us go, through certain half-deserted streets,
The muttering retreats
Of restless nights in one-night cheap hotels
And sawdust restaurants with oyster-shells:
Streets that follow like a tedious argument
Of insidious intent
To lead you to an overwhelming question …
Oh, do not ask, “What is it?”
Let us go and make our visit.
In the room the women come and go
Talking of Michelangelo.
The yellow fog that rubs its back upon the window-panes,
The yellow smoke that rubs its muzzle on the window-panes,
Licked its tongue into the corners of the evening,
Lingered upon the pools that stand in drains,
Let fall upon its back the soot that falls from chimneys,
Slipped by the terrace, made a sudden leap,
And seeing that it was a soft October night,
Curled once about the house, and fell asleep.
And indeed there will be time
For the yellow smoke that slides along the street,
Rubbing its back upon the window-panes;
There will be time, there will be time
To prepare a face to meet the faces that you meet;
There will be time to murder and create,
And time for all the works and days of hands
That lift and drop a question on your plate;
Time for you and time for me,
And time yet for a hundred indecisions,
And for a hundred visions and revisions,
Before the taking of a toast and tea.
In the room the women come and go
Talking of Michelangelo.
And indeed there will be time
To wonder, “Do I dare?” and, “Do I dare?”
Time to turn back and descend the stair,
With a bald spot in the middle of my hair —
(They will say: “How his hair is growing thin!”)
My morning coat, my collar mounting firmly to the chin,
My necktie rich and modest, but asserted by a simple pin —
(They will say: “But how his arms and legs are thin!”)
Do I dare
Disturb the universe?
In a minute there is time
For decisions and revisions which a minute will reverse.
For I have known them all already, known them all:
Have known the evenings, mornings, afternoons,
I have measured out my life with coffee spoons;
I know the voices dying with a dying fall
Beneath the music from a farther room.
               So how should I presume?
And I have known the eyes already, known them all—
The eyes that fix you in a formulated phrase,
And when I am formulated, sprawling on a pin,
When I am pinned and wriggling on the wall,
Then how should I begin
To spit out all the butt-ends of my days and ways?
               And how should I presume?
And I have known the arms already, known them all—
Arms that are braceleted and white and bare
(But in the lamplight, downed with light brown hair!)
Is it perfume from a dress
That makes me so digress?
Arms that lie along a table, or wrap about a shawl.
               And should I then presume?
               And how should I begin?
Shall I say, I have gone at dusk through narrow streets
And watched the smoke that rises from the pipes
Of lonely men in shirt-sleeves, leaning out of windows? …
I should have been a pair of ragged claws
Scuttling across the floors of silent seas.
And the afternoon, the evening, sleeps so peacefully!
Smoothed by long fingers,
Asleep … tired … or it malingers,
Stretched on the floor, here beside you and me.
Should I, after tea and cakes and ices,
Have the strength to force the moment to its crisis?
But though I have wept and fasted, wept and prayed,
Though I have seen my head (grown slightly bald) brought in upon a platter,
I am no prophet — and here’s no great matter;
I have seen the moment of my greatness flicker,
And I have seen the eternal Footman hold my coat, and snicker,
And in short, I was afraid.
And would it have been worth it, after all,
After the cups, the marmalade, the tea,
Among the porcelain, among some talk of you and me,
Would it have been worth while,
To have bitten off the matter with a smile,
To have squeezed the universe into a ball
To roll it towards some overwhelming question,
To say: “I am Lazarus, come from the dead,
Come back to tell you all, I shall tell you all”—
If one, settling a pillow by her head
               Should say: “That is not what I meant at all;
               That is not it, at all.”
And would it have been worth it, after all,
Would it have been worth while,
After the sunsets and the dooryards and the sprinkled streets,
After the novels, after the teacups, after the skirts that trail along the floor—
And this, and so much more?—
It is impossible to say just what I mean!
But as if a magic lantern threw the nerves in patterns on a screen:
Would it have been worth while
If one, settling a pillow or throwing off a shawl,
And turning toward the window, should say:
               “That is not it at all,
               That is not what I meant, at all.”
No! I am not Prince Hamlet, nor was meant to be;
Am an attendant lord, one that will do
To swell a progress, start a scene or two,
Advise the prince; no doubt, an easy tool,
Deferential, glad to be of use,
Politic, cautious, and meticulous;
Full of high sentence, but a bit obtuse;
At times, indeed, almost ridiculous—
Almost, at times, the Fool.
I grow old … I grow old …
I shall wear the bottoms of my trousers rolled.
Shall I part my hair behind?   Do I dare to eat a peach?
I shall wear white flannel trousers, and walk upon the beach.
I have heard the mermaids singing, each to each.
I do not think that they will sing to me.
I have seen them riding seaward on the waves
Combing the white hair of the waves blown back
When the wind blows the water white and black.
We have lingered in the chambers of the sea
By sea-girls wreathed with seaweed red and brown
Till human voices wake us, and we drown.
14 January

When The Cold Is Beautiful

by Jon Katz

It’s awfully cold right now, the cold gets into my bones. Tonight is my second acting class, I’m still looking for the right monologue for me to read. I’m trying to find Clarence Darrow’s exchange with William Jennings Bryan during the Scopes Monkey Trial.

But there is something beautiful about the cold also. It is so clear and blue and distinct. I’ll try to remember that, it’s going to be cold for awhile.

14 January

Meet Eh K’ Pru Shee Wah: We’re Going To Get Her A Scholarship

by Jon Katz

I’m happy to introduce Eh K’ Pru Shee Wah, a charismatic and poised 13-year-old honor student at the Hackett Middle School in Albany, N.Y.

She spent the first 10 years of her life in a United Nations refugee camp, her family fled Myanmar (formerly Burma) during the religious persecutions there. Our wish for her is that she spends her high school years at one of the best private schools in the Northeast.

Eh K’ Pru’s family entered the United States legally several years ago. Her father works repairing windows.

I’ve entered into discussions with the Albany Academy, a prestigious private school to help them find gifted refugee students to enroll in their academic program with full scholarship support.

As you know, we have worked to support RISSE, a refugee and immigrant support group,  through donations, private support and the very successful Amazon Wish List we suggested.

We also supported the refugee soccer team, now a part of RISSE.

We can continue to support the soccer team through donations to RISSE and also through the Wish List. After we helped Sakler Moo, a gifted student from the same school,  to get into the Albany Academies, I approached several private schools with the idea of offering scholarships to other gifted refugee students.

I talked to a lot of people before I found a wonderful and dedicated teacher at the Hackett School named Kathy Faso, she enthusiastically recommended Eh K’ Pru and last Friday, I met with her and Kathy at the  Hackett school.

E K’Pru is a remarkable young woman, smart, poised, articulate. She works hard to get good grades, she a class leader, skilled both in academics and social skills. She has made amazing progress learning English language skills and acclimating to the U.S. She is very popular with the other students.

If you see Kathy with her students, you can see just what teachers ought to be. She is clear, challenging, inspiring and full of love and interest. I hope I can do this with her every year.

“She is just an amazing person and a remarkable student,” Kathy told me, “I can’t think of anyone I could recommend for fully for a scholarship program.”

I’ve met and spoken with Christopher Lauricella, the head of the Albany Academies, he is sincere about working to make his school more diverse.  My job was locating promising students, and there are quite a few.  I have also partnered up with a senior at the school, an impressive 17-year-old named Alex Boggess, who has made helping refugee children enter the academy his senior class project. Alex is also a gifted photographer.

I’m urging him to create a blog, so his work can be seen.

My idea was that the first student needed to be a female. Everyone else agrees.

I’ve brought this idea to several private schools in the area, they are all interested in the idea.

If Eh K’ Pru is admitted to the Albany Academy, the school will offer her a scholarship. There are many refugee children in the Albany Public  School system, their teachers work long hours and seem especially dedicated. But the classes are small, and funding a struggle.

At the Albany Academy, Eh K’ Pru will be challenged in a way she wants and needs.

I don’t know the amount yet.

Alex will assist in fund-raising for this project from the school community, and if we need further assistance, I’ll ask for  help from the Army Of Good or we’ll consider a gofundmepage.  I hope that won’t be necessary.

I’ve made the argument to the school – and will continue to make this argument – that if they are serious about being diverse, they will consider that refugee families have little money to spare, they will need a full scholarship one way or the other. I believe Christopher Lauricella is quite serious, he is on it and he is also impressive.

I can testify that a lot of the people I contacted don’t care about this issue. He does.

I’m meeting with school officials and Chris and Alex and financial aid staffers on February 2nd. I spent 45 minutes with Eh K’ Pru last Friday, she is gracious and hard-working. She is, in fact, remarkable, just as Kathy said.

Eh K’ Pru loves Hip-Hop (Amigos) and wants to work in business after college.

Why business?, I asked. “Because no one in my family has been able to work in a big business,” she said, “I want to be the first person in my family to do that.”

Eh K’ Pru is a perfect match for the Albany Academy, whose students often enter the business world at the highest levels.

I am excited about this new direction when it comes to refugee support. I think we can change the lives of some of these very gifted and deserving children.

I had nothing to do with getting Sakler Moo into the Albany Academy, but the Army Of Good was able to help bridge the gap between what the school could offer him and what he needed. Sakler’s experience inspired me. He also had the support of one of his teachers.

I think this is a strong plan. The school is a partner with me on this, and so is Alex. Chris Lauricella reached out to me and asked for my help. He wants this to happen. So do I, especially after meeting Eh K’Pru Friday.

I believe this is the most effective way for me and the Army Of Good to help the refugees and their family. It is, in so many ways, about the children. I hope you will continue to support RISSE and the soccer team, and also, the ballet dancers.

We can help in a thoughtful and focused way.

Thanks. I’ll keep you posted on the effort to help Eh K Pru enter the Albany Academy.

And special thanks to Kathy Sosa. I tried contacting a lot of people, many teachers and even the refugee groups blew me off. Kathy answered my call and went to work on behalf of one of her most gifted students.

She is a hero here. So is Christopher Lauricella.

I am determined to do everything in my power to make this happen. Every year. Stay tuned, this needs to happen.

14 January

The Issue Isn’t Photos, It’s Isolation And Indifference

by Jon Katz

I got a message last night from the daughter of one of the Mansion residents that I want to share:

I want to thank you and your readers for all of the help you have given my mother and the other residents this week and throughout the year. They love you and they love Maria and Red. Your photographs have been a great comfort to us, we can see how our Mother is doing even though we don’t live close by, and we know you have helped her more than once this year in a number of ways. Your photographs are a comfort to us, and she really loves being noticed. Thank you, thank you, please don’t let them stop you.”

Thanks much for that, I’m not inclined to let them stop me.

Yesterday, the management of the Danforth Adult Care Facility put up a note to all staffers – theirs and the Mansions – forbidding anyone from taking photos or videos inside their facility of anyone, including visitors.

I find last night and this morning that I’m not comfortable permitting them to make the Mansion residents invisible again, especially during this difficult time, when they help and attention, and when they need to be reminded that they are not alone or forgotten.

We all have to resist sometimes in our own way, I’m figuring out my way. I’m posting this photo of the Mansion residents having dinner a few days before the ban notice.

The Mansion staff does a great job of protecting their residents privacy in many ways.

Sometimes, a resident will die and I won’t know anything about it until I see someone else in their room. There are many residents you never see.

The support and attention the residents  have received from the outside world has made an enormous difference to them this week while regulators and officials – acting perhaps in good faith – have uprooted them from their lives.

For me to stop posting images of them would make me compliant which a system that has made them invisible to the outside world. We hide the elderly away and out of sight, we don’t really have to think about how they are or how they are being treated.

The photographs are their voices, they bring them to life, they honor their lives and tell them the are not forgotten. They connect them to their families.

I reject the idea that they need to be protected from me, or from Red, or from the Army Of Good. They need to be protected from isolation and indifference, and I don’t see too many bureaucrats inspecting for that. The Mansion understands that, they have made my work possible

I respect the residents privacy totally, as does the Mansion, but the issue is not privacy. It is clearly something else. The residents are entitled to the support they are receiving, and the photographs are essential to that. They are never taken without permission.

I’m not sure how I will respond to this Danforth note. I didn’t bring my camera into the Danforth last night when I visited last night. I joked the other day that they would regret it if they hauled Red or me off to jail. Maybe it ought not to be a joke.

Out of concern for the Mansion aides, who were compelled to sign the ban, I won’t take any photographs inside the Danforth. The Mansion aides might get into trouble, and they don’t need to be in the middle of this.

But no one can stop me from posting photographs I took before the ban notice went up.  I have permission to photograph the Mansion residents, I broke no rules, although no one has bothered to talk to me directly.

So I will do that this week, I don’t want them to fade into memory or feel forgotten. Those who can read my blog faithfully. I won’t let them down. And thanks once again for your support.

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