Bedlam Farm Blog Journal by Jon Katz

11 March

Small Challenges, Big Rewards

by Jon Katz

Maria and I had an interesting weekend, it was fun and meaningful in different ways for both of us.

On Friday, a friend told us there would be some good music at the Argyle Brewery, a craft beer outlet that opened up in the beautiful old Cambridge Rail Station. I don’t drink beer and generally avoid crowded and small places, just too noisy and claustrophobic for me.

And I’m not great at small talk.

But I knew Maria wanted to go, something about it drew me, I love live music and miss it up here, so I said yes.

I was surprised at how good a time I had. We had a great Falafel wrap from Izzy’s food cart outside ( the brewery can’t sell food) and the music was fun. We caught up with an artist we know and he sat down at our table with us and we talked about the joys and travails of the creative life for awhile.

It was a sweet time.

I’m not really all that social with people I don’t know.

I felt social and it felt good. I’m glad I tried it, we plan to go back. The wine was great also, and it is always a joy to do thing with Maria, she is so full of life and enthusiasm.

On Saturday, there was a one-actor play that caught my eye, it is called I Am My Own Wife, it was written by Dough Wright. It was based on his conversations with a legendary transvestite from Berlin named Charlotte von Mahlsdorf, she survived a half century of life under the Nazi’s and Stalinists, two groups that brutally persecuted jailed and slaughtered trans people.

The show won a Pulitzer Prize when it opened in New York in 2004. Maria was uncertain about going – she thought it might be too depressing –  but she agreed to try it, and she loved the play. It wasn’t a great play, but it was a very good play and a wonderful story and we both enjoyed it. It was $25 a ticket, in our beautiful old vaudeville palace called Hubbard Hall. We parked 25 feet from the door and were home in five minutes.

(I should say that I have begun working with a national group that tries to support transgender children who need help, so the play was of special interest to me. I got a pin to wear on my necklace, but jewelry is cheap and easy. This is a private thing, I don’t write about the group or these kids, but as many of you know, these kids are in awful trouble in many parts of the country, suffering great fear and persecution much as Charlotte von Mahlsdorf did. 

Their stories are hard to hear and hard to bear.

It is heart-breaking that this happens in America, but we help kids in dire trouble as best we can. Sometimes we get them clothes, sometimes we get them to counselors, sometimes we help them move to safer ground. We also help fund suicide prevention counseling. I won’t be writing about it much, if at all –  but I wanted to mention it. I contribute my own time and money, I don’t ask for fund-raising help. Talk about the vulnerable.)

I love the theater and in a few weeks, I’ll have four theater companies to choose from as the Spring approaches:  The Dorset Playhouse, the Williamstown Theater Festival,  Hubbard Hall and the resurgent Oldcastle Theater in Bennington (where I took my acting class).

Life in the warm weather here is rich, flowers and light, the gardens and farmers markets and theater companies all open up about the same time. And the animals can feed themselves on grass. We don’t have to get up in the bitter cold and keep the fires going.  Maria can run around barefoot and garden and be warm in her drafty studio.

Winter makes us appreciate our lives all the more.

On Sunday we went to see Captain Marvel, starring a female hero for the first time. It wasn’t a great movie either, but we loved going to see it, and then got some sushi in Bennington, Vt.

It feels good to try things you aren’t sure about and think you might not like. So often, it turns out to be valuable, we were tickled at the idea that each of us wanted to do something the other wasn’t sure about, and we each broadened our horizons a bit, and stretched our own boundaries.

I think of life as a beautiful old silver cup, you can fill it up or leave it empty. I like to fill mine up.

11 March

Red At The Gate (For Sale)

by Jon Katz

I’ve decided to sell “Red At The Gate,” an iconic photo of an iconic dog.

Red really wanted to work this morning, and I let him. I asked him to hold the sheep in the outer pasture while I filled the animal’s heated water bucket.

He did a good job, the sheep tried to rush past him, and he held them off, dug them out of the Pole Barn, kept them in check. Another beautiful, clearing sky as the sun rises. I love my Open Sky, it is Mother Earth’s daily prayer to me.

I want to record some of these images, because I know Red can’t work too often or for too long. I think some other people want to have an image of Red as well. This photo says a lot about him.

The photo will be sold on Maria’s Etsy Shop, a fine art print, Hahnemuhle Photo Rag 100 per cent cotton acid free paper, archival ink. The cost is $125 plus $6 shipping, unframed and signed, 8.5 x 12.5 inches.

If you wish to pay by check or some other method than Etsy, please e-mail Maria at [email protected].

10 March

Review: Captain Marvel, Saving The World From Gender Cliches

by Jon Katz

Like all kinds of freaks, I grew up reading Marvel and other comics, I was one of the first in line at the comic book store where the owner saved new issues for me each week. Comics were my cultural life, along with Buddy Holly and my portable radio.

It still startles me – and it pleases me – to see a woman setting out to save the universe. For all of my youth, the heroes were all men, usually iron-headed and humorless.  Women were being saved every day.

Stan Lee always brought some wit into the stories, he never took himself too seriously.

Today, it was a kick for me (and Maria also) to go to a movie and see Carol Danvers (Brie Larson) playing the first female-led superhero film in the Marvel Cinematic Universe (MCU), the new  Captain Marvel.

There have been solo female Captain Marvels in the comic versions, but never in a feature film.

Superhero movies are coming into their own as a genre, I’m hooked.

I especially loved the last Spiderman, Wonder Woman and almost all of the Avenger series (the next of which, also featuring Carol Danvers) is coming out in seven weeks. The bar is getting higher, those were very good, colorful, full of amazing visual theatrics, funny,  taut, even well-written films.

I’m sorry to say that the new Captain Marvel doesn’t hold up to the standard set in those movies, at least for me.

I found it fun, charming at times, but also flat.  Something was missing.

This superhero is plenty nice, and plenty tough,  but lacks the charisma and strong character of Wonder Woman’s Gal Gadot or Spiderman’s Shameik Moore.

In Captain Marvel (pronounced Mar-Vell),  Carol Danvers succeeds is saving the universe, or most of it (I’m not giving away the plot) from an awful if incomprehensible danger. And all by herself, with the exception of an old pilot pal from training school.

The real war in this movie was against monstrous villains, but against gender cliches, and that may be more important in the long run.

Through the movie, Danvers is challenged by men (and by a software AI villain)  telling her she is too emotional to be effective and successful, the familiar trope used against women for centuries and in the corporate world every day.

She demonstrates forcefully – this is a very satisfying part of the movie, and it’s real heart – that emotions are not a weakness, and  in fact, can be a powerful weapon in the right hands. The more faith Carol has in herself, the stronger and more effective she becomes.

I know that’s what I told my daughter. I hope she believed it.

Disney purchased Marvel Comics last year for $4 billion and has become the rare corporate behemoth that does some good with it’s money. A whole generation of young women – and men – will see a very different kind of hero than I got to see, they are pioneering in producing stories and films about women who shatter stereotypes.

And who save themselves. This has to have a profound effect on our society, a long way from Snow White and Cinderella.

They helped push that stereotype for years, it’s only fitting that they are paying reparations.  Speaking of stereotypes, some things don’t change. Danvers is blasted all over the universe and beaten up a dozen times, not a single hair was ever out of place. Hollywood can only go so far.

Curiously, the movie weaponizes emotion, it turns out to be deadlier than bombs and missiles and the soul-draining barrage of rays and blasts and  explosions. The movie is not too long, for once, nor does it take itself too seriously.

A cat was deployed to provide some fun, but other than that, the movie had a sort of relentlessly even and predictable series of brawls, fighting that never seems to kill people or resolve much until later.

There were few laughs, and little of the irony that always marked the Marvel comics and the best superhero films.

I thought Lashana Lynch, who played a long-lost pilot friend of Danvers, and her daughter, played by Akira Akbar, stole a good part of the movie. They did have lots of character and charisma, they really stood out, they sparkled.

Superheroes have been pushing diversity for some time, they have helped set the stage. I am enjoying the new diversity in Hollywood films, it is both apparent and refreshing.

The movie, directed by Anne Boden and Ryan Fleck, seemed well aware of its duty to be a positive role model for women. There are no timid or dependent women in this film, or any of the Superhero films.

At times, Captain Marvel  veered towards a message movie, but it’s a message that’s long over due and glad to see. I hope the next step for female Hollywood heroes is to accept their strength and rightful place in the world and  just go kick the crap out of bad guys.

This movie, like others before it, upends the stereotype of the damsel in distress, waiting for the prince to show up and give her a kiss. If I were in deep trouble, I would be delighted to text Carol Danvers and have her come and bail me out.

The most sympathetic characters in the movie do need rescuing, all of them, and so does Samuel Jackson playing FBI Agent Nick “Fury” Korath. The universe itself needs a hand as well. Our Carol Danvers is up to it. There is also one of the first AI (Artificial Intelligence) evil doers, played by Annette Benning.

I predict we will see a lot more of them.

Brie Larson is a terrific rescuer, brave and determined and unafraid to use her amazing intuition. She just has to get to know herself.

One curious but interesting feature of the movie was the digital rejuvenation of Samuel Jackson, who appears here as a young federal agent about 30 years younger than he was in his last movie. I did a few double-takes, seeing such a famous star being cinematically photo-shopped in so obvious  a way.

He looked about thirty years old. Perhaps time will soon have no meaning in the movies, and stars will never fade or die.

Besides her emotion, this Captain Marvel ends up sporting some pretty amazing firepower, she literally spits fire from her hands, feet and head, and sails through the skies like a ballistic missile or Superman on speed.

I accept that I am one of the very few SuperHero lovers who still squawks about the plot lines, which makes absolutely no sense at all in this movie, and I would suggest not even trying to follow it. Just go along for the ride.

You will not succeed in remembering the plot, and you will not be able to recount it to a living soul afterwards.

There were a couple of surprising plot twists that boosted the final quarter of the movie quite a bit. Otherwise, the writing was disappointing to me.

This is the last movie the legendary Stan Lee (who has a brief cameo on a subway train) was involved with, he died a few months ago. It does have a familiar comic book feel to it, which is why the plot doesn’t really need to make sense. The comic books never made sense either.

The bottom line is that this is a fun  movie to go and see, a nice way to spend a couple of hours away from Facebook and Twitter and those nasty tweets. I’d give it a B-minus. It is fine to take children too, the violence is so stylized and cartoonish that it doesn’t really even seem like violence, and has little sting.

Superhero characters take a phenomenal beating, they are radiated, blasted, tossed about like feathers in the wind, and indestructible until necessary. But they hardly ever bleed, or even die.

I’m not going into the plot, but I thought the ending did not do justic to the idea of the brave yet compassionate female superhero.

It was mostly about humiliation and dominance, something women know too much about. It would be said if this new iteration of heroes ended up being just like men.

I certainly recommend seeing it, it is, like all superhero movies, an entertaining distraction.

10 March

Radio News

by Jon Katz

I sometimes think of my little radio broadcast, “Talking To Animals,” in the way I think of Thomas Toscano (a conductor and the director of WBTNAM) and his unruly hair blowing in the wind.

I can’t quite imagine what will become of this. The station is bare of staff or resources, and does almost no promotion of marketing, and the idea that I can build this broadcast into a going concern with supporters and advertisers just on the back of my blog alone seems ludicrous.

But here we are, edging our way along, the calls are picking up, the e-mails are coming in, we’ll see what happens. If the show is on the air in six months, I’ll be a bit surprised. Even shocked.

Still, I am loving the show and it is inspiring me to do a new wave of research into the minds and loves and human relationships of dog and cats and other animals.

I will keep on slugging as long as you participate by calling or e-mailing me questions. Without that, I am just talking to myself, and will not stay in it for long.

Two notes:

One is that there will be no show on this coming Wednesday, March 13, I have to have laser eye surgery again. Thomas says he will re-broadcast last week’s show, which contained a wonderful discussion of animal communications and animal consciousness.

I will be back live on Wednesday, March 20, one to three p.m. Call if you have question.

Secondly, I’ve decided to cut the show back a bit, from two hours to 90 minutes. Two hours feels a little long to me, an hour-and-a-half sounds right, for my voice and for the pace I like. I get sick of hearing myself talk, two hours sometimes seems like an eternity.  I’m also going to see an ear, nose and throat specialist in Saratoga shortly to figure out the dry mouth and occasional hacking I’ve been experiencing.

My favorite program time is one hour, Thomas likes it longer. This is a good compromise.

I’m sure they can help. Maria will continue to call in during the second hour. I am loving these talks with her so much we’re planning a joint podcast about life on Bedlam Farm.

Thanks for your support, as always.

 

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